Irish language: Enda Kenny's main point is unanswerable

  • 16 November 2005
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Compulsory Irish is a simple slogan that acts as a red rag to a bull in Irish language circles, and Enda Kenny's speech in Cork last weekend suggesting the removal of Irish as a subject of compulsory study at Leaving Certificate level has stirred up a predictable debate – one that is shrouded in ambiguity, misconceptions and rhetorical pretence.

Irish language: Enda Kenny's main point is unanswerable

  • 16 November 2005
  • test

Compulsory Irish is a simple slogan that acts as a red rag to a bull in Irish language circles, and Enda Kenny's speech in Cork last weekend suggesting the removal of Irish as a subject of compulsory study at Leaving Certificate level has stirred up a predictable debate – one that is shrouded in ambiguity, misconceptions and rhetorical pretence.

The Deadly Camera

  • 16 November 2005
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The Ballygandon gang are back in this their eighth book and once again Gordon Snell has given us a rattling good read that proceeds at neck-breaking speed from one page-turning incident to another.

 

Racy writing about time standing still

  • 16 November 2005
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Gabriel Garcia Marquez's first novel in ten years is a sprightly, perverse little fable about a ninety year old man and a fourteen year old girl's encounter in a brothel in La Paz. Review by Terrence Rafferty

Racy writing about time standing still

  • 16 November 2005
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Gabriel Garcia Marquez's first novel in ten years is a sprightly, perverse little fable about a ninety year old man and a fourteen year old girl's encounter in a brothel in La Paz. Review by Terrence Rafferty

Playing music: The lost freedom

  • 16 November 2005
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Listening to live music performances is a habit long gone. Robert Philip's new book tells us what we are missing. By Charles Rosen

The priesthood of the press

  • 16 November 2005
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The media may replace the church as the "oppressive and arrogant force" it says religion once was, warns Bishop Willie Walsh. Journalists must be more successful at maintaining the value of their stock in the minds of the public they are there to serve, says Conor Brady

THEATRE: The importance of being earnest

  • 16 November 2005
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Three monologues about suicide. Not the kind of thing to get you to the theatre on a cold night. But this play is travelling to schools, where it should find an engaged and passionate audience for its sensitive storytelling, writes Colin Murphy

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